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Updated: 19 hours 38 min ago

Audio interconnects: snake oil?

Tue, 01/05/2010 - 12:57

If you want to read the most creative sales literature imaginable, sample the marketing material for audio interconnect cables. The esoteric end of the hi-fi market offers cable products which claim to deliver the highest possible quality, and yet these products aren't used in even the best-equipped recording studios. If the recording is being made with 'lesser' cable, then I fail to understand how a more expensive product can reveal hidden sonic detail in the recording when it is played back in a domestic environment.

I thought I'd already seen the world's most ridiculous, overpriced audio cable, but then I saw the 'proprietary' Denon AK-DL1 digital audio interconnect. Retailing at $499 US dollars, it looks uncannily like an ordinary RJ45 ethernet cable costing around 1% as much, albeit with pretty woven jacketing. I was especially bemused to find out that the AK-DL1 is meant to be directional - having spent nearly $500 on a 1.5 metre network cable, you wouldn't want to connect it up the 'wrong way round'.

To send multiple channels of losless digital audio over network cables, you can use the NetJack extension to the JACK sound server. Not only is NetJack a Free Software download, it works with ordinary network cable too!

Morevna Project creates Anime with Free Software

Tue, 12/01/2009 - 13:11

Not unlike the Blender Foundation's Open Movie projects, the Morevna Project is aiming to create a full-length movie in the Anime genre, using only Free Software tools. The main applications in use are:

The project looks like it has a lot of work still to do, and so the organisers are appealing for creative people to get involved.

Dinosaur Jr. and the loudness war

Tue, 12/01/2009 - 12:42

On listening to the Dinosaur Jr. album Farm, I became convinced that the CD was merely the latest casualty in the loudness war, and had been excessively limited on purpose. Instead, the band's label PIAS has claimed that there was a mistake at the duplication plant in Europe, and has offered a free replacement CD to anyone who sends back the original disc. If only the duplication plant had used Jamin (covered in chapter 10 of Crafting Digital Media) to check the master, a lot of trouble could have been avoided. I now have the second pressing of the disc, which is 3dB quieter but sounds a lot, lot better.

Still, PIAS should be commended for offering a refund once the mistake was discovered. This is in stark contrast to Metallica's refusal to remaster their album Death Magnetic, despite a petition from over 21,000 fans of the band.